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Fair for Art Vienna
27.9. until 5.10. 2025
Aula der Wissenschaften
https://www.fairforart-vienna.at
Vienna Highlights Art Fair
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Artist in Residence
at the Schütz Art Museum
Enrique Fuentes:
“Con la situación actual,
estudiar Bellas Artes es de ser muy valiente”
Enrique Fuentes:
His art of storytelling
Current
exhibition
ours
artist
Enrique Fuentes
1980, Mexico City - Lives and works in Vienna and Berlin
Enrique Fuentes was born in Mexico. The effect of his paintings is sometimes explained by this fact. It is claimed that the enigmatic, contradictory, even unsettling quality of his art stems from the fact that it is an impulsive mixture of his hot-blooded temperament and all the impressions and influences he has been confronted with since entering the Ecole Nationale Supérieur des Beaux-Arts in Paris – and later in Austria, where he mainly lives. Enrique Fuentes is driven by a powerful passion, by a tremendous urge to do exactly what he does. Beyond his captivating amiability, there is a dark side to him, a knowledge of death, illness, despair and decay. He has something of a shaman about him, a person who is able to see the other side. This above all determines his art, this above all creates the uniqueness of his works.
— (Otto Hans Ressler “Enrique Fuentes – The Dark Side” Atlas Obscuro, 2018)
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Corrado Zeni
born 1967 in Geona
His career began in 1996 and in the following years he had numerous solo and group exhibitions, he was among the finalists of the Premio Cairo (2003), in the same year he had solo exhibitions at the Guidi&Schoen galleries in Genoa and Ronchini in Terni. In 2004 he took part in the Anteprima della XIV Quadriennale in Rome and exhibited at the Mart in Rovereto as well as at his solo exhibitions at the Galerie Voss in Düsseldorf and the Galleria d’Arte Moderna in San Marino. In 2005 he was among the finalists of the Premio Maretti and the Premio Fabbri and presented a new series of works in a solo exhibition at the d’Ac Galleria Comunale d’ Arte Contemporanea in Ciampino. In 2006 he took part in the exhibition La Donna Oggetto at the Castello Sforzesco in Vigevano and Human Art at the Galleria Comunale di Catania. He took part in the exhibition Nuovi Pittori della Realtà at the Pac in Milan (2007) and was one of the invited artists for the exhibition Linee all’orrizzonte at the Galleria d’Arte Moderna in Genoa. In the same year he was among the finalists of the Premio Michetti. Between 2008 and 2010 he presented four solo exhibitions, including I still have a long way at Ronchini and Familiar Strangers in Genoa. In 2009, he began working on sculptures and created a series of public installations for the Museum of Palazzo Bianco in Genoa and the spaces of Macro Future in Rome. Between 2013 and 2019, he presented eight solo exhibitions, including Generation Why at Galerie Voss, Düsseldorf, Icons at Galleria Pack, Milan, and People at Palazzo della Provincia Autonoma di Trento; in addition to numerous exhibition catalogs, the publisher Gli Ori published a retrospective monograph in 2008 that traces his work since 1999. Over the years, he has participated in the most important international art fairs, including Art Brussels (Be), Art Cologne (D), Arco Madrid (Es), Art Moscow (Ru), Artefiera (En).
Friedrich Eigner
born 1948 in Salzburg
Studied philosophy, then switched to studying painting. Hans Weigel discovered Eigner and brought him to Vienna in 1985. In 1986, he founded the Stamperia del Tintoretto in Venice with Prof. Roberto Mazzetto. He lives and works in Salzburg, Venice and New York. Eigner has had numerous national and international exhibitions and his works can be found in public and private collections as well as in museums.
Zoran Antonio Music
Gorizia 1909 - 2005 Venice, I
Zoran Music was already an established Slovenian painter when he was deported to Dachau concentration camp for several months at the end of 1944. The drawings he created there became harrowing documents of his time. In the post-war period, the painter settled in Venice, where he painted iconic portraits of his wife Ida Barbarigo and the first unmistakable Cavallini from Dalmatia. Meanwhile, Music traced the moody handwriting of the earth relief in the hilly worlds of Umbria and Tuscany.
When the Galerie de France signed him in 1952, he moved to Paris, where he lived for long periods from then on. From 1948 onwards, he took part in the Venice Biennale several times, was represented with his works at documenta I in Kassel in 1955 and was exhibited and awarded internationally numerous times.
In the mid-1950s, Music defined the landscape and its protagonists as an ornamental fabric, as it were, in his intensely colored works, and soon ventured into abstraction. This phase, which lasted until 1963, was replaced by a body of work in which Music increasingly adopted an anthropomorphic view of the landscape.
From 1970 onwards, the painter once again dealt with the indelible trauma of his concentration camp experience in the painting cycle “We are not the last”. These unsparing visions of horror were followed by atmospheric pictures from Music’s adopted home in Venice as well as numerous self-portraits painted in muted tones. These are testimony to a tireless search for answers to the fundamental questions of human existence.
Source: Leopold Museum, Vienna
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I met Marion many years ago, when I was interested in art. Since then, my view has widened to observe even more intensively. I myself can’t imagine a life without art. Marion knows how to facilitate the viewer’s access to art, to feel it with the senses and the heart and thus to approach the artist’s messages. So there were works of art that I absolutely had to acquire in order to have them around me. Marion finds solutions and makes this possible. The pictures inspire me.
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